Are you looking for the best tooth whitening gel to jazz up those pearly whites? The best tooth whitening gel could be any number of gels, depending on the type of teeth that you have and the results you are looking for.
Talk to your dentist about what gel would be best for you.
Along with the eyes, our mouth is the expressive structure of the face.
Its shape and position are controlled by the facial muscles, which can elevate, retract, each lip protrude or fall simultaneously or independently. Gums, along with the teeth are the intraoral portion of the smile. The ideal smile has the gingival margin visible only in the upper arch, and the teeth are white.
You can get those bright whites with the best tooth whitening gel. Healthy gums fit tightly around the teeth, filling the spaces completely below the contact points. Be careful, since even the best tooth whitening gel can damage the gums, causing them to pull away from the teeth.
The position of the upper teeth in relation to the lips is important, as are their support and the associated muscles. The position of the upper teeth in relation to the arch form can take three geometric categories: square, oval and triangular. In terms of the size and shape of the upper teeth, if they seem too big or small, too narrow or too wide or disproportionately compared with other facial features, it produces a disharmony.
These teeth also need to be the ones in the best condition and with the help of the best tooth whitening gel, so they can look their brightest. The lower teeth have less importance, since they are less visible than superior smile. However, when the individual talks are equally or more visible than the upper.
From the point of view of visual perception, the smile should be considered as a unit where the whole is greater than the sum of the parts. The principles of visual perception described by Lombardi are organized into several categories: Composition – this is the relationship between teeth, color, texture and position. The natural teeth must be orderly aesthetic repetitions of shape, position and color, to receive both the right and left side as a unit.
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